A FOUNDATION at Greenland Street hosted a weekend of talks, performance and film to tie in with "Made Up" for Liverpool Biennial 2008.
The Made Up Weekend, named after the theme of the Biennial, explored all kinds of interpretations of that phrase, the power of the imagination and art’s capacity to transport us, to suspend disbelief and generate alternative realities.
Challenging the idea that rationality and enchantment are incommensurable. Made Up weekend invokes the spectres that haunt not only the artistic imagination. A vision of the world familiar yet often disturbed by occultural visions, scientific anomalies, magic or sublime irrationality. Unbound by critical orthodoxies, Made Up's aporia will entertain many and exasperate some, no doubt encouraged by the multitude of explanations resonating with the city itself.
Performances included the UK premiere of Love Club, by acclaimed European artists God’s Entertainment and a rare opportunity to hear the Theremin, one of the earliest electronic musical instruments, played live by Dorit Chrysler.
A Foundation’s executive director Mark Waugh said: “The Made Up weekend goes behind the vernacular phrase to explore why we make things up and how artists use the imagination as a tool to communicate the way they see the world. It will be a stimulating weekend remixing science, critical debate and conversation, performance art, film making, music and pyrotechnics. Guests include Richard Wilson, whose Turning the Place over has captured the imagination of Liverpool and other artists, including Gods Entertainment from Vienna, Mingering Mike and Tai Shani."
The programme of events ran from 12 noon until 10.30pm, where artist Tai Shani performed the work "Parallax Sci-Fi Hypnosis". CCTV to parallel universes, hypnosis and black holes, time travel and "Banana" by Orion Maxted were all included in the event.
Art Beyond Science:
Tomas Saraceno in conversation with Rob La Frenais and Tony White.
Anne Bean was in conversation with artist Richard Wilson.
Ulf Langheinrich in conversation with Mike Stubbs.
Cosey fanno Tutti in conversation with Andrew Wheatley.
George Chakravarthi in conversation with Lois Keidan.
Manuel Vason in conversation with Lois Keidan.
"The Amazing Careers of Imaginary Soul Superstars", where Bryan Biggs was chatted with David Blandy, The Barefoot Lone Pilgrim, and Mingering Mike, before a DJ set by the latter.
The event hosted the UK premiere of "Love Club", a performance by Austrian artists Gods Entertainment and saw a performance wake by Anne Bean and Richard Wilson for Paul Burwell.
There was a chance for a Face-to-Face encounter with SJ Curtis and to experience Super Nase & Co throughout the day. Chila Kumari Burman, Yeondoo Jung in conversation as well as a panel discussion with Jim Holland, James Lawler and Gary Everett followed by an evenings entertainment that included a presentation by Stewart Home and Sally O'Reilly.
Patricide punctuated the event, after film screenings that included Artists Anonymous.
Participating Artists, Theorists and Thinkers
Orion Maxted, S J Curtis, Daniel Odier, Cecille Gravensen, Fritz Stolberg, Stuart Comer, Super Nase & Co, Tai Shani, Tomas Saraceno, Rob La Frenais, Tony White, Ulf Langheinrich, Mike Stubbs, Manuel Vason, Amelia Jones, Cosey Fanni Tutti, Andrew Wheatley, George Chakravarthi, Lois Keidan, David Blandy, Mingering Mike, Barefoot Lone Pilgrim, Dori Hader, Brian Biggs, Dorit Chrysler, Gods Entertainment, Anne Bean, Richard Wilson, Rachel Withers, Chila Kumari Burman, Courtney J Martin, Jiyoon Lee, Yeondoo Jung, Jim Holland, Gary Everett, James Lawler, Paul Domela, Mark Bennett, Mark Waugh, Sally O'Reilly, Stewart Home, Artists Anonymous and Patricide.
“Is what you see what I see?”
Waugh Office Productions is an